This event will take place in the British Library Knowledge Centre Pigott Theatre. It will be simultaneously live streamed on the British Library platform. Tickets may be booked either to attend in person (physical) or to watch on our platform (online) either live or within 48 hours on catch up. Viewing links for the online version will be sent out in the confirmation email you receive after booking. Captions are available for our online events and most in person events in the Pigott Theatre. If you have specific access requirements please email customer@bl.uk

In recent years, the field of Black Bibliography has experienced a resurgence. In the second of three lectures in this series, Elizabeth McHenry considers the history of Black Bibliography alongside questions about its critical potential and future directions. What has “thinking bibliographically” meant in Black intellectual circles, and what critical, scholarly, and artistic forms is it taking now? What is distinctive about Black Bibliography, and how can knowing its history and centering its principles and practices lead us toward expanded future possibilities in the study of Black print, in ways that remain attentive to its formats, publication histories and conditions of circulation and use?

Part of the Panizzi Lecture Series, 2024: ‘Black Bibliography, Here and Now’ 

What are the stakes and challenges of studying the history of Black print? What is Black bibliography, and how can renewed attention to it lead us to a better understanding of the ways Black writing has been produced, conceptualized and valued? This series of lectures by Elizabeth McHenry grapples with these questions by examining the work current scholarship in Black Bibliography is doing to expand our knowledge of Black print culture, and what it has the potential to do going forward. 

The Panizzi Lectures are a series of annual lectures given at the British Library by eminent scholars of the book and named after the librarian Anthony Panizzi (1797 – 1879).

Elizabeth McHenry is Professor of English at New York University. Her research and teaching are focused on African American literature intellectual history and the history of Black print culture, particularly in the nineteenth and very early twentieth centuries. She is the author of Forgotten Readers: Recovering the Lost History of African American Literary Societies (Duke 2002), which explores the long history of African Americans as readers in the context of their organized literary practices. Her most recent book, To Make Negro Literature: Writing, Literary Practice, and African American Authorship (Duke, 2021), returns again to the archives of Black literature to examine a variety of projects and conditions of authorship that have been dismissed or gone largely unnoticed in traditional accounts of African American literary history. She is currently at work on a project that aims to uncover the work of early twentieth-century Black job printers in the production and distribution of African American literature and the extension of Black literary culture.

@eventsBL

If you’re attending in person, please arrive no later than 15 minutes before the start time of this event.

The British Library is a charity. Your support helps us open up a world of knowledge and inspiration for everyone. Donate today.

 

Image credit: Printing with Printing Presses at Claflin University, Orangeburg, SC, 1899?]
Library of Congress: https://www.loc.gov/item/93506648/